Anastasia the Musical Review: QPAC’s Lavish Broadway Spectacle
QPAC’s production of Anastasia brings the beloved Disney‑style story to life with lavish sets, a talented cast and a mix of classic and new songs. While the show shines on stage, it still feels rooted in its children’s film origins and misses deeper historical nuance.
By Felo News Desk · Published
QPAC’s Lyric Theatre has taken on the challenge of bringing the beloved Disney‑style story of Anastasia to a mature Broadway audience, and the result is a dazzling spectacle that showcases the talents of its cast, crew and designers. The production, running through October 18, is a polished version of the original stage show, featuring a mix of classic songs from the 1997 film and new numbers written for the stage.
From Film to Broadway
The story of Anastasia, the rumored survivor of the Romanov family, has been told in several formats over the decades. The 1952 stage play, the 1956 Ingrid Bergman film, and the 1997 Disney‑style animated feature all drew on the urban legend that one of Tsar Nicholas II’s daughters survived the 1918 Bolshevik execution. The Broadway adaptation, written by Stephen Flaherty and Lynn Ahrens and revised by acclaimed playwright Terence McNally, aims to bring a more adult tone to the tale while retaining the fairy‑tale charm that has made the story so popular.
QPAC’s version stays true to the original film’s musical score, with five songs from the animated feature and several new, catchy tunes. The production also incorporates a fresh script that offers a more sophisticated narrative, though it still leans heavily on the original premise of a street sweeper named Anya who is mistaken for the lost Grand Duchess.
A Cast of Star‑Studded Talent
Queenslander Georgina Hopson takes center stage as Anya, the amnesiac street sweeper who becomes the unlikely heroine. Hopson’s performance balances the character’s innocence with a growing sense of determination, and her vocal range carries the show’s key songs such as “Once Upon a December” and “Journey to the Past.”
Supporting Hopson are Robert Tripolino as Dimitry and Rodney Dobson as Vlad, two Leningrad swindlers who scheme to pass Anya off as Anastasia to a Paris‑based grandmother. The duo’s chemistry adds a layer of humor and tension to the narrative.
Rhonda Burchmore shines as the Countess Lily, providing comic relief and a memorable solo in “The Countess and the Common Man.” Nancye Hayes, a national treasure, portrays the Dowager Empress, bringing gravitas to the role of the grandmother who is skeptical of the impostor’s claims.
The antagonist, Gleb, is portrayed by Joshua Robson, whose powerful vocal performance brings a sense of menace to the character. Gleb’s pursuit of Anya echoes the relentless pursuit of justice in classic musical theatre, though the show misses an opportunity to explore the deeper political implications of a revived monarchy.
Staging, Design and Visual Spectacle
Director Darko Tresnjak’s vision is evident in every aspect of the production. The set design, created by Wolter Peeters Brisbane, is a masterclass in cinematic backdrops, seamlessly integrating scenes of St. Petersburg and Paris with live action. The large, sweeping sets give the audience the feeling of stepping into a grand palace, while the lighting and projection work together to create a sense of depth and atmosphere.
Costume designer Linda Cho delivers a stunning visual palette that blends Imperial Russian and Jazz‑era Parisian styles. The costumes are a highlight of the show, with intricate details that capture the opulence of the era and the characters’ personalities.
Choreography is another strong point, with dance numbers that are both technically impressive and emotionally resonant. The choreography is tightly integrated with the music, ensuring that the dance sequences feel like an organic part of the story rather than a separate spectacle.
Musical Highlights and Themes
The musical numbers are a blend of nostalgia and innovation. “Once Upon a December” remains a timeless ballad that captures the longing for a lost past, while “Journey to the Past” showcases Anya’s personal growth and determination. The show also features “Paris Holds the Key (To Your Heart),” a nostalgic ode to the City of Light, and “The Countess and the Common Man,” which gives Burchmore a chance to shine with comedic flair.
While the show’s music is undeniably catchy, it also carries a deeper emotional weight. The songs explore themes of identity, memory, and the search for belonging, resonating with audiences who have experienced personal transformations or the loss of something precious.
What Happens Next?
As the production draws to a close on October 18, audiences will be left with a sense of wonder and a renewed appreciation for the power of storytelling. The show’s blend of spectacle, music, and emotional depth offers a memorable experience for both theatre lovers and casual viewers alike.
Future productions may explore the historical context of the Romanov family and the Russian Revolution more deeply, providing a richer narrative that goes beyond the fairy‑tale premise. For now, QPAC’s staging of Anastasia remains a highlight of the season, offering a dazzling display of talent and creativity.
Key facts
- QPAC’s production blends classic songs with new numbers for a mature audience
- Georgina Hopson’s performance anchors the story with emotional depth
- Stunning set design and choreography create a cinematic theatre experience
- The show highlights themes of identity and memory through memorable music
- Future productions could deepen the historical context of the Romanov narrative
Why it matters
The production showcases how classic stories can be reimagined for contemporary audiences, blending musical theatre with cinematic spectacle while highlighting the enduring appeal of historical narratives.
Frequently asked questions
When does the show run at QPAC?
The production runs until October 18, with performances scheduled throughout the season.
Who stars in the lead role of Anya?
Queenslander Georgina Hopson plays the lead role of Anya.
What makes this production different from the 1997 film?
The stage version includes new songs, a revised script for a more adult audience, and a polished set design that blends live action with cinematic backdrops.
Sources
- [1] smh.com.au — originally reported as “Anastasia the Musical: A review of the lavish Broadway production playing at QPAC until October 18”
