Fifty Fifty’s ‘After-School Exorcism Club,’ The Boyz’s ‘Wi-Fi Love in the Palace’ and NCT’s ‘Wind Up: The Movie’ Score New Asia Sales for Finecut
Finecut has secured new regional sales for two K‑pop‑led films, "After‑School Exorcism Club: Girls’ Night" and "Wi‑Fi Love in the Palace", while adding markets for "Wind Up: The Movie". The deals cover Indonesia, Singapore, Taiwan, Japan, Hong Kong and Macau, broadening the distribution of K‑pop‑ce…
South Korean sales agency Finecut has announced a series of new territorial agreements for three K‑pop‑themed feature films, extending their reach across key Asian markets. The company secured distribution rights for "After‑School Exorcism Club: Girls’ Night" and "Wi‑Fi Love in the Palace", while adding fresh territories for "Wind Up: The Movie", a film starring NCT members Jeno and Jaemin.
New Sales for After‑School Exorcism Club
"After‑School Exorcism Club: Girls’ Night" follows five high‑school students as they investigate a spirit that has taken over their campus. The film stars members of the boy band Fifty Fifty—Keena, Chanelle Moon, Yewon, Hana and Athena—each portraying one of the protagonists. Directed by Jung Zoo, the movie premiered at the Bucheon International Fantastic Film Festival before opening in Singapore cinemas in mid‑August.
Finecut’s latest deals place the film in Indonesia through Catchplay+, in Singapore via Shaw Organisation, and in Taiwan with Cola Films. These agreements will allow the movie to reach audiences across Southeast Asia and the Greater China region.
Wi‑Fi Love in the Palace Expands to Japan and More
"Wi‑Fi Love in the Palace" adapts the popular Kakao Page webtoon "Love and Wi‑Fi in the Palace". The story follows a webtoon artist chasing his next hit and a palace maid climbing the ranks of the royal court. Their narratives intersect when a mysterious cabinet bridges the present with a life 200 years ago.
The film stars The Boyz’s Younghoon, alongside Luda (known for "The Woman Who Swallowed the Sun") and Kim Dong‑jun (from "Korea‑Khitan War"). Chang Tae‑yeon serves as chief creative director, while Sa Seok‑choon directs. Finecut’s new sales cover Japan (KDDI Corporation), Indonesia (Catchplay+), and Taiwan (Cola Films).
Wind Up: The Movie Gains Additional Markets
"Wind Up: The Movie" features NCT members Jeno and Jaemin in a story that blends action and comedy. The film has already secured distribution in the Commonwealth of Independent States (Best Cinema), Inflight (Bofrato), Japan (KDDI Corporation), Singapore, Malaysia, Indonesia (Purple Plan), Taiwan (Caichang International), and Thailand (Sahamongkolfilm International). Finecut’s latest deals add Hong Kong and Macau through Emperor Cinemas, further expanding the film’s footprint.
All Titles Stem from Kitz and TakeOne’s Global Strategy
Each of the three films originates from Kitz, the global K‑pop‑focused content platform operated by TakeOne Company. Kitz is part of TakeOne’s broader push into multi‑format intellectual property, producing films, webtoons, and animated features. Another Kitz slate title, "Reapers on Duty", follows a rookie reaper played by Monsta X’s Hyungwon and a veteran reaper played by Lee Min‑ki as they navigate a plot about extending human life.
Finecut will showcase these titles at Broadcast Worldwide (BCWW) and the Toronto Film Festival market. The agency also plans to present other Finecut properties, including the animated feature "Long Long Night" (selected for the Toronto Centrepiece), the webtoon adaptation "Guardians of the Video Game" (based on a source with 345 million views), the noir action film "Tristes Tropiques" directed by Park Hoon‑jung, and "Dora" directed by July Jung, which has been selected for Cannes Directors’ Fortnight and the Busan International Film Festival’s Gala Presentation.
These new sales agreements underscore Finecut’s growing influence in the Asian film market and its commitment to promoting K‑pop‑centric cinema worldwide.
What’s Next for Finecut’s K‑Pop Film Slate?
With the new territorial deals in place, Finecut will focus on marketing campaigns tailored to each region, leveraging the popularity of the idol stars involved. The agency also plans to explore additional markets, including the Middle East and Latin America, as it continues to expand its portfolio of K‑pop‑driven content.
As the global appetite for Korean pop culture grows, Finecut’s strategic distribution partnerships position it to capitalize on the rising demand for high‑quality, idol‑fronted films across diverse audiences.
Why it matters
These deals highlight the expanding global reach of K‑pop‑driven cinema, offering international audiences access to fresh, idol‑fronted storytelling while boosting Finecut’s presence in key Asian markets.
Key points
- Finecut secured new sales for "After‑School Exorcism Club" in Indonesia, Singapore and Taiwan
- "Wi‑Fi Love in the Palace" added Japan, Indonesia and Taiwan markets
- "Wind Up: The Movie" gained Hong Kong and Macau distribution
- All titles originate from Kitz, part of TakeOne’s multi‑format IP strategy
- Finecut will showcase the films at BCWW and Toronto Film Festival
- The agency plans further expansion into new regions
Frequently asked questions
What is Finecut’s role in these deals?
Finecut is the sales agency that negotiates and secures distribution rights for the films across various territories.
Which K‑pop groups are involved in the films?
Fifty Fifty stars in "After‑School Exorcism Club", The Boyz’s Younghoon is in "Wi‑Fi Love in the Palace", and NCT members Jeno and Jaemin appear in "Wind Up: The Movie".
Where can I watch these films?
They will be available in the territories listed in the new deals, such as Indonesia, Singapore, Taiwan, Japan, Hong Kong and Macau, through the respective local distributors.
